The technique of Viewpoints ( scenic points of view ) has its origin in the New York postmodern dance. Created by the choreographer Mary Overlie , it is adapted to the theatrical performance by the stage director Anne Bogart . The main objective of the training in Viewpoints is to deepen the duality of scenic awareness: on the one hand, the attention that the actor directs towards what happens in space and its relationship with the stage companions; on the other, how to direct that awareness towards oneself and towards one's own actions.
The Suzuki trainingit consists of placing the body and mind of the actor at the center of the theatrical event. Influenced by traditional Japanese theater and classical Greek theater, ballet and martial arts, these exercises are designed for the actor to discover their own capacity for expression through concentration, discovering an individual conscience, seeking precision and clarity of expression, learning to become aware of the many layers of sensitivity with which they can interpret. The actor and actress who train Suzuki develop a personal commitment to the emotional and physical strength they need to radiate their presence on stage.
The Masterclass will have a duration of 3 hours each in which both techniques applied to the Oedipus Project show will be worked on . At the end of each of them there will be a vision of the training to see how the company TeatroLab Madrid puts it into practice.
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